Farrow and Ball 15 Year Exterior Masonry
- All White No. 2005
- Ammonite No. 274
- Ancona Blue No. 9805
- Archive No. 227
- Arsenic No. 214
- Ball Green No. 75
- Ballroom Blue No. 24
- Bancha No. 298
- Barrow Blue No. G8
- Bay Area Blue No. 9815
- Beetle Black No. G16
- Belvedere Blue No. 215
- Berrington Blue No. 14
- Biscuit No. 38
- Bisque No. 9811
- Blackened No. 2011
- Blanc de Chine No. 9814
- Blanc De Treillage No. G1
- Blooth Pink No. 9806
- Blue Gray No. 91
- Blue Ground No. 210
- Bombazine No. 9902
- Bone No. 15
- Borrowed Light No. 235
- Bothy Blue No. G11
- Brassica No. 271
- Breakfast Room Green No. 81
- Buff No. 20
- Butterweed No. 9802
- Calamine No. 230
- Calke Green No. 34
- Calluna No. 270
- Cane No. 53
- Card Room Green No. 79
- Castle Gray No. 92
- Cat's Paw No. 240
- Chappell Green No. 83
- Charleston Gray No. 243
- Chemise No. 216
- Chinese Blue No. 90
- Churlish Green No. 251
- Ciara Yellow No. 73
- Cinder Rose No. 246
- Clunch No. 2009
- Cook's Blue No. 237
- Cooking Apple Green No. 32
- Coppice Blue No. G9
- Cord No. 16
- Cornforth White No. 228
- Corngold No. 9915
- Cream No. 44
- Cromarty No. 285
- Dauphin No. 54
- Dayroom Yellow No. 233
- De Nimes No. 299
- Dead Salmon No. 28
- Dimity No. 2008
- Dimpse No. 277
- Dix Blue No. 82
- Dorset Cream No. 68
- Double Cream No. 9907
- Dove Tale No. 267
- Down Pipe No. 26
- Drab No. 41
- Drop Cloth No. 283
- Dutch Pink No. 62
- Dyrehaven No. 9819
- Eddy No. 301
- Elephant's Breath No. 229
- Entrance Hall Pink No. 61
- Fake Tan No. 9912
- Farrow's Cream No. 67
- Farrow's White No. 9812
- Fawn No. 10
- Folly Green No. 76
- Folly Pink No. G14
- Fowler Pink No. 39
- French Gray No. 18
- Fruit Fool No. 9911
- Gervase Yellow No. 72
- Graupel No. G10
- Great White No. 2006
- Green Blue No. 84
- Green Ground No. 206
- Green Smoke No. 47
- Green Stone No. 12
- Grove Green No. G17
- Hardwick White No. 5
- Hay No. 37
- Hound Lemon No. 2
- House White No. 2012
- Inchyra Blue No. 289
- James White No. 2010
- Jitney No. 293
- Joa's White No. 226
- Lamp Room Gray No. 88
- Lancaster Yellow No. 249
- Lichen No. 19
- Light Blue No. 22
- Light Gray No. 17
- Light Stone No. 9
- Lime White No. 1
- London Clay No. 244
- London Stone No. 6
- Lulworth Blue No. 89
- Mahogany No. 36
- Manor House Gray No. 265
- Matchstick No. 2013
- Menagerie No. 63
- Middle Ground No. 209
- Middleton Pink No. 245
- Mizzle No. 266
- Mole's Breath No. 276
- Mortar Pink No. G13
- Mouse's Back No. 40
- New White No. 59
- Off-Black No. 57
- Off-White No. 3
- Ointment Pink No. 21
- Old White No. 4
- Olive No. 13
- Oval Room Blue No. 85
- Oxford Stone No. 264
- Pale Hound No. 71
- Pale Powder No. 204
- Pantalon No. 221
- Parma Gray No. 27
- Pavilion Blue No. 252
- Pavilion Gray No. 242
- Pea Green No. 33
- Peignoir No. 286
- Pigeon No. 25
- Pink Cup No. 9801
- Pink Drab No. 207
- Pink Ground No. 202
- Planter No. G5
- Plummett No. 272
- Pointing No. 2003
- Pond Green No. G7
- Porphyry Pink No. 49
- Potted Shrimp No. 9906
- Powder Blue No. 23
- Print Room Yellow No. 69
- Purbeck Stone No. 275
- Railings No. 31
- Red Earth No. 64
- Ringwold Ground No. 208
- Salon Drab No. 290
- Salt No. CC5
- Sand No. 45
- Savage Ground No. 213
- Saxon Green No. 80
- School House White No. 291
- Setting Plaster No. 231
- Shaded White No. 201
- Shadow Gray No. 9904
- Shadow White No. 282
- Sherbert Lemon No. 9914
- Singed Red No. G15
- Single Cream No. 9901
- Skimming Stone No. 241
- Skylight No. 205
- Slipper Satin No. 2004
- Sloe Blue No. 87
- Smelt Black No. G18
- Smoked Trout No. 60
- Stiffkey Blue No. 281
- Stirabout No. 300
- Stone Blue No. 86
- Stone White No. 11
- Stony Ground No. 211
- Straw No. 52
- String No. 8
- Strong White No. 2001
- Suffield Green No. 77
- Sugar Bag Light No. 29
- Sugared Almond No. 9913
- Sulking Room Pink No. 295
- Sutcliffe Green No. 78
- Tack Room Door No. G6
- Tailor Tack No. 302
- Tallow No. 203
- Tar No. CC1
- Templa White No. G4
- Teresa's Green No. 236
- Terre d'Egypte No. 247
- Treron No. 292
- Tunsgate Green No. 250
- Turret White No. G2
- Vardo No. 288
- Vert de Terre No. 234
- Vichyssoise No. 9909
- Vitty Green No. G3
- Wainscot No. 55
- Wall White No. 58
- Wet Sand No. 46
- Wevet No. 273
- White Tie No. 2002
- Wimborne White No. 239
- Worsted No. 284
- Yard Blue No. G12
- Yeabridge Green No. 287
- Yellow Ground No. 218
- Yonder No. 9810
- All White No. 2005
- Ammonite No. 274
- Ancona Blue No. 9805
- Archive No. 227
- Arsenic No. 214
- Ball Green No. 75
- Ballroom Blue No. 24
- Bancha No. 298
- Barrow Blue No. G8
- Bay Area Blue No. 9815
- Beetle Black No. G16
- Belvedere Blue No. 215
- Berrington Blue No. 14
- Biscuit No. 38
- Bisque No. 9811
- Blackened No. 2011
- Blanc de Chine No. 9814
- Blanc De Treillage No. G1
- Blooth Pink No. 9806
- Blue Gray No. 91
- Blue Ground No. 210
- Bombazine No. 9902
- Bone No. 15
- Borrowed Light No. 235
- Bothy Blue No. G11
- Brassica No. 271
- Breakfast Room Green No. 81
- Buff No. 20
- Butterweed No. 9802
- Calamine No. 230
- Calke Green No. 34
- Calluna No. 270
- Cane No. 53
- Card Room Green No. 79
- Castle Gray No. 92
- Cat's Paw No. 240
- Chappell Green No. 83
- Charleston Gray No. 243
- Chemise No. 216
- Chinese Blue No. 90
- Churlish Green No. 251
- Ciara Yellow No. 73
- Cinder Rose No. 246
- Clunch No. 2009
- Cook's Blue No. 237
- Cooking Apple Green No. 32
- Coppice Blue No. G9
- Cord No. 16
- Cornforth White No. 228
- Corngold No. 9915
- Cream No. 44
- Cromarty No. 285
- Dauphin No. 54
- Dayroom Yellow No. 233
- De Nimes No. 299
- Dead Salmon No. 28
- Dimity No. 2008
- Dimpse No. 277
- Dix Blue No. 82
- Dorset Cream No. 68
- Double Cream No. 9907
- Dove Tale No. 267
- Down Pipe No. 26
- Drab No. 41
- Drop Cloth No. 283
- Dutch Pink No. 62
- Dyrehaven No. 9819
- Eddy No. 301
- Elephant's Breath No. 229
- Entrance Hall Pink No. 61
- Fake Tan No. 9912
- Farrow's Cream No. 67
- Farrow's White No. 9812
- Fawn No. 10
- Folly Green No. 76
- Folly Pink No. G14
- Fowler Pink No. 39
- French Gray No. 18
- Fruit Fool No. 9911
- Gervase Yellow No. 72
- Graupel No. G10
- Great White No. 2006
- Green Blue No. 84
- Green Ground No. 206
- Green Smoke No. 47
- Green Stone No. 12
- Grove Green No. G17
- Hardwick White No. 5
- Hay No. 37
- Hound Lemon No. 2
- House White No. 2012
- Inchyra Blue No. 289
- James White No. 2010
- Jitney No. 293
- Joa's White No. 226
- Lamp Room Gray No. 88
- Lancaster Yellow No. 249
- Lichen No. 19
- Light Blue No. 22
- Light Gray No. 17
- Light Stone No. 9
- Lime White No. 1
- London Clay No. 244
- London Stone No. 6
- Lulworth Blue No. 89
- Mahogany No. 36
- Manor House Gray No. 265
- Matchstick No. 2013
- Menagerie No. 63
- Middle Ground No. 209
- Middleton Pink No. 245
- Mizzle No. 266
- Mole's Breath No. 276
- Mortar Pink No. G13
- Mouse's Back No. 40
- New White No. 59
- Off-Black No. 57
- Off-White No. 3
- Ointment Pink No. 21
- Old White No. 4
- Olive No. 13
- Oval Room Blue No. 85
- Oxford Stone No. 264
- Pale Hound No. 71
- Pale Powder No. 204
- Pantalon No. 221
- Parma Gray No. 27
- Pavilion Blue No. 252
- Pavilion Gray No. 242
- Pea Green No. 33
- Peignoir No. 286
- Pigeon No. 25
- Pink Cup No. 9801
- Pink Drab No. 207
- Pink Ground No. 202
- Planter No. G5
- Plummett No. 272
- Pointing No. 2003
- Pond Green No. G7
- Porphyry Pink No. 49
- Potted Shrimp No. 9906
- Powder Blue No. 23
- Print Room Yellow No. 69
- Purbeck Stone No. 275
- Railings No. 31
- Red Earth No. 64
- Ringwold Ground No. 208
- Salon Drab No. 290
- Salt No. CC5
- Sand No. 45
- Savage Ground No. 213
- Saxon Green No. 80
- School House White No. 291
- Setting Plaster No. 231
- Shaded White No. 201
- Shadow Gray No. 9904
- Shadow White No. 282
- Sherbert Lemon No. 9914
- Singed Red No. G15
- Single Cream No. 9901
- Skimming Stone No. 241
- Skylight No. 205
- Slipper Satin No. 2004
- Sloe Blue No. 87
- Smelt Black No. G18
- Smoked Trout No. 60
- Stiffkey Blue No. 281
- Stirabout No. 300
- Stone Blue No. 86
- Stone White No. 11
- Stony Ground No. 211
- Straw No. 52
- String No. 8
- Strong White No. 2001
- Suffield Green No. 77
- Sugar Bag Light No. 29
- Sugared Almond No. 9913
- Sulking Room Pink No. 295
- Sutcliffe Green No. 78
- Tack Room Door No. G6
- Tailor Tack No. 302
- Tallow No. 203
- Tar No. CC1
- Templa White No. G4
- Teresa's Green No. 236
- Terre d'Egypte No. 247
- Treron No. 292
- Tunsgate Green No. 250
- Turret White No. G2
- Vardo No. 288
- Vert de Terre No. 234
- Vichyssoise No. 9909
- Vitty Green No. G3
- Wainscot No. 55
- Wall White No. 58
- Wet Sand No. 46
- Wevet No. 273
- White Tie No. 2002
- Wimborne White No. 239
- Worsted No. 284
- Yard Blue No. G12
- Yeabridge Green No. 287
- Yellow Ground No. 218
- Yonder No. 9810
- This product is mixed to order so cannot be returned
- Very matt finish
- Highly breathable
- Water resistant
- Protected from fungi and algae
- Water-based
- Trace V.O.C
- Drying time: mins
- Coverage: 8 m2
- Coats: 2
For brick, render and concrete, Farrow & Ball 15 Year Exterior Masonry brings super matt, long-lasting colour to exterior walls. Its water-resistant formula protects walls, with a durable 2% sheen finish and Class 1 water vapour permeability, Exterior Masonry is resistant to flaking, peeling and colour fade for up to 15 years. Unsuitable for highly alkaline or very porous surfaces. Does not require a primer.
For best results, make sure your surface, tools and product are clean before you begin.
Cleaning Prior to Painting
- For most surfaces it is recommended to use a diluted Sugar Soap solution following the manufacturers instructions
- It is not recommended using solvent-based cleaning products or strong alkaline solutions as these can impact adhesion
- After cleaning, wipe the surface with a damp cloth and allow to dry
New Modern Construction Surfaces
- Before coating any newly rendered surfaces with any paint system, the render must be permitted to dry out completely and ideally left to weather for approximately 3 months
- Once completely dry, brush the surface with a stiff bristled brush to remove any surface dust
- Prime any areas that remain powdery with a 10% diluted coat of Farrow & Ball 15 Year Exterior Masonry
Preparing Concrete Surfaces for Painting
- Leave new concrete uncoated for at least 3 months before painting
- Repair and fill any old or unsound concrete surfaces, allowing adequate time for the filler used to cure
- Once completely dry, brush the surface with a stiff bristled brush to remove any surface dust
- prime any areas that remain powdery with Farrow and Ball Masonry & Plaster Stabilising Primer
- For interior concrete floors only apply one full coat of Farrow and Ball Masonry & Plaster Stabilising Primer followed by two coats of Farrow and Ball Modern Eggshell allowing the recommended drying times between coats
Painting Interior Brickwork
- Make sure all dirt, mould, salts and other visible contaminants are removed with a stiff bristle or synthetic brush or specialist cleaner
- Ensure the brickwork is fully dry before applying any coatings
- It is also recommended that all mortar is fully cured before painting
- Extra care should be taken when painting solid brick walls, and any walls that aren't damp-proofed, as loss of adhesion may occur and salts may appear
Painting Exterior Brickwork
- Make sure all dirt, mould, salts and other visible contaminants are removed with a stiff bristle or synthetic brush or specialist cleaner
- Ensure the brickwork is fully dry before applying any coatings
- It is also recommended that all mortar is fully cured before painting
- Extra care should be taken when painting solid brick exterior walls, and any walls that aren't damp-proofed, as loss of adhesion may occur and salts may appear
Always make a test area before the application to judge the suitability of the product. Follow the manufacturer's instructions at all times. Ensure all surfaces are sound, clean, dry and free from dirt, grease and other contamination
Please note: Darker/stronger colours may require additional coats. The drying and recoat times provided are based on applying paint in normal conditions. Drying times may be longer in cooler and/or higher humidity environments. Darker colours may take longer to dry. Allow a minimum of 14 days before applying over solvent based coatings.
Do not paint in temperatures below 10°C or in excessive heat above 30°C. Avoid painting in direct sunlight. Avoid applying outdoors if there is a likelihood of rain. For best results apply early in the day, allowing the product to dry before the evening.
New Modern Construction Surfaces
- Once the appropriate surface preparation has been completed, apply two coats by brush or roller
- Take care not to apply too thickly in any hollows and angled sections
- Although supplied ready for use, water may be added at a 10% ratio to assist application on sound bare surfaces.
- Do not use Farrow & Ball Masonry & Plaster Stabilising Primer as a general primer on sound masonry surfaces
Painting OId Exterior Render with Exterior Masonry
- Please be aware that unsound surfaces may not successfully accept any additional paint layers - therefore if in doubt we recommend you seek professional advice
- Surfaces with serious structural damage, such as cracking or loose cement, must be repaired before any paint is applied
- Patch prime any repaired or seriously degraded areas with one coat of Farrow and Ball Masonry & Plaster Stabilising Primer, followed by two coats of Farrow & Ball 15 Year Exterior Masonry
- Take care not to apply too thickly in hollows and angled sections and allow the recommended drying times between coats
- Fungal or algal contaminated surfaces should be decontaminated with a fungicidal wash then left to dry out completely
- Do not use Farrow & Ball Masonry & Plaster Stabilising Primer as a general primer on sound masonry surfaces
Painting Interior Brickwork
- Once the appropriate surface preparation has been completed, apply two coats by brush or roller
- Although supplied ready for use, water may be added at a 10% ratio to assist application on sound bare surfaces
- Do not use Farrow & Ball Masonry & Plaster Stabilising Primer as a general primer on sound masonry surfaces
Painting Exterior Brickwork
- Once the appropriate surface preparation has been completed, apply two coats by brush or roller
- Although supplied ready for use, water may be added at a 10% ratio to assist application on sound bare surfaces
- Do not use Farrow & Ball Masonry & Plaster Stabilising Primer as a general primer on sound masonry surfaces
Painting Terracotta
- Apply two coats allowing a minimum of 4 hours drying time between coats
Painting Over Exterior Wall Fillers
- For best results always use a filler which has the same porosity and density as the surface which is being repaired
- Fillers which have a different porosity or density may lead to visible differences in colour or tone
- Follow the filler manufacturers application instructions and drying times
- Apply a diluted coat (20 - 25%) of Farrow & Ball 15 Year Exterior Masonry
- Allow a minimum of 4 hours drying time between coats
- Then follow with two coats of your chosen colour to promote adhesion and full colour depth
Advice for repairing Damage and Touching In
If your paintwork becomes damaged or marked you may need to repaint. To achieve the best results it is recommended applying a single coat of paint over the entire wall or walls that have the damage, using the same batch of paint you originally carried the work out with. This best practice will avoid any noticeable variation in colour or finish. If you do chose to touch-in to repair damage, the following recommendations will help you achieve the optimum finish.
- Always aim to use the same batch of paint. If you use a different batch, although the control colour is to tight specifications, you may observe slight colour and sheen variations. If you are unable to use the same batch of paint it is recommended that you apply a single coat of a different paint batch to an entire wall as any slight variations will be much less noticeable when observing from wall to wall
- Always use the same preparation techniques when you make any repairs you used when you originally painted the wall
- Always use the same application tool and method as when you originally painted the wall
- Ensure that the edges of the touched in paint are blended in to make the transition between old and new paint areas less noticeable